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But budgets these days mean that companies need people who can do everything. And, of course, good TV is more than pretty pictures. Looking back at my career, there were many times when I felt out of my depth… When I got my first shooting assistant producer job… whether it was cross-shooting or main camera [work] on some of the smaller sequences, it was scary… I had to work on my self-confidence. But when I look back at it, shooting a good sequence with everything against me was really rewarding. Self-shooting guide to stardom. His Dark Materials creators discuss the creative collaboration behind the series. Attendees at the sold-out event in central London were taught how to shoot with the Canon XF camera, widely used for documentary, reality and other factual entertainment shows.

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Alanna. Age: 30.
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Looking back at my career, there were many times when I felt out of my depth… When I got my first shooting assistant producer job… whether it was cross-shooting or main camera [work] on some of the smaller sequences, it was scary… I had to work on my self-confidence.

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Natalie. Age: 23.
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Self-shooting guide to stardom

Is it the end of the line for non-shooting crew? His Dark Materials creators discuss the creative collaboration behind the series. Over the last decade, the development of technology has fuelled that demand and now camera [manufacturers] are making cameras that can be more or less operated by anyone…. The producers were Emily Gale and Grace Owen. They were shown how to set up the camera and tripod and the basics of lighting, framing, exposure and focus. At the end of the evening, the RTS Futures members were let loose to test their new skills, shooting short pieces to camera. Matthew Bell supplies the answers.

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